タグ: derek bailey

DEREK BAILEY & COMPANY / Klinker (2CD)

DEREK BAILEY & COMPANY によるライヴ音源を収録した『Klinker』。

DEREK BAILEY & COMPANY による『Klinker』。2000年8月ロンドンの Klinker で行われた、DEREK BAILEY & COMPANY のライヴを収録した作品。２枚組CD。６面カードボード・スリーブ仕様。 Derek Bailey : guitar Simon H. Fell : double bass Will Gaines : tap dance Mark Wastell : violoncello Recorded live at The Klinker, London on Thursday 24th August 2000. Compered by Matt Scott. Original DAT recording by Tim Fletcher.Mixed and mastered by Simon H. Fell. Produced by Mark Wastell. One of the special qualities of improvisation is the array of responses musicians and performers have to the environment they find themselves in. The club, as you can hear immediately from the opening announcements, was in quite a small space, in a back room. It had kitsch disco mirrors all along the walls and a hard floor and ceiling, everything sonically enhancing and reflective, so the room was actually even smaller than it sounds. Tim used to arrive early every night to set up his recording equipment and tape the leads to the floor to stop people tripping on them and dragging everything across the room. At one point he was experimenting with pointing a microphone towards the ceiling to capture a more evenly balanced and diffused sound. A kind of reverse Dizzy Gillespie approach. I didn't expect to hear the kinds of sounds that emerged on that night from the band, far less angular, rough, or confrontational, instead it was introspective and elegant, carefree and humorous, delicate and fragile. The audience was crammed in tight, there wasn't much room to move about, but everyone was absolutely attentive and quiet and really seemed to be enjoying it, seizing the opportunity to express it whenever they were given a chance in the gaps. Unanimously in love with Will, his patter, and his spanner in the works of any possible attempt at over seriousness. This was the only occasion that Derek Bailey's Company graced our humble event. Perhaps the acoustic peculiarities of the room, the concentrated focus and proximity of the audience, and the hot summer evening all contributed to the unique result. How fast things change in the small corner of the music scene that the Klinker has been part of over the years. Wonderful to have this treasure from the past. Oh yes, and choc ices. Tracklisting: 1-1. Intro; DB / SF / MW 1 12:14 / 1-2. DB / SF / MW 2 5:12 / 1-3. An Announcement; DB / WG 1 7:25 / 1-4. DB / WG 2 4:15 / 1-5. You Should See Me When I'm Making Money; DB / WG 3 5:36 / 1-6. SF / MW 9:59 / 1-7. DB / SF / WG / MW 1 8:47 2-1. WG / MW 13:05 / 2-2. DB / SF 1 10:50 / 2-3. DB / SF 2 7:54 / 2-4. DB / SF / WG / MW 2; Outro 14:08

￥2750－

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DEREK BAILEY / Lot 74 - Solo Improvisations (CD/LP)

DEREK BAILEY の1974年の録音『Lot 74 - Solo Improvisations』がアナログで再発。

デレク・ベイリーの1974年録音作品『Lot 74 - Solo Improvisations (IncusLP12)』が再発。アナログは Honest Jon’s Records からの再発です。このアルバムは何度耳にしても興味が尽きない作品です。化学反応でも試みるかのように様々な音が紡がれて行く時間の流れは圧巻であり、詰まるところ音楽は空気の振動であるということが頭の片隅に浮かぶようなアルバムです。即興ファンのみならず、INA-GRM などのミュージック・コンクレート、エレクトロ・アコースティックのファンも必ずや興味深く聴けるはずです。何度聴いても面白いです。 This iconic LP was originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarist’s championing of ‘non-idiomatic improvisation’, the poet Peter Riley gets the ball rolling in his identification of the various hauntings of Bailey’s playing at this time: ‘mandolins & balalaikas strumming in the distance, George Forby’s banjo, Leadbelly’s steel 12-string, koto, lute, classical guitar… and others quite outside the field of the plucked string.’ The five pieces on side two were recorded back home in Hackney around the same time — with the exception of Improvisation 104(b), from the year before (and issued by Incus in its TAPS series of mini reel-to-reel tapes) — opening with ventriloquised guitar feedback, and taking in some cod banter about colleagues like Mervyn Parker, Siegfried Brotzmann and Harry Bentink. Crucial. - CDとヴァイナルがあります。フォーマットを選択しカートに入れて下さい。 Tracklisting: 1. Lot 74 (22.00) 2. Together (12.15) 3. Pain in the Chest (3.00) 4. Planks (4.00) 5. In Joke (Take 2) (4.00) 6. 104b (6.00)

￥2495－

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DEREK BAILEY / Solo Guitar Volume 1 (2LP)

DEREK BAILEY の名作『Solo Guitar Volume 1』２枚組アナログで再発。デレク・ベイリーが1972年に Incus より発表した名盤が Honest Jon’s Records の記念すべき200番としてアナログ２枚組みにて再発。今回の再発盤には「Improvisation: York, 24.2.1972」が新たに追加されています。 Recorded in 1971, Solo Guitar Volume 1 was Bailey’s first solo album. Its cover is an iconic montage of photos taken in the guitar shop where he worked. He and the photographer piled up the instruments whilst the proprietor was at lunch, with Bailey promptly sacked on his return. The LP was issued in two versions over the years — Incus 2 and 2R — with different groupings of free improvisations paired with Bailey’s performances of notated pieces by his friends Misha Mengelberg, Gavin Bryars and Willem Breuker. All this music is here, plus a superb solo performance at York University in 1972; a welcome shock at the end of an evening of notated music. It’s a striking demonstration of the way Bailey rewrote the language of the guitar with endless inventiveness, intelligence and wit. Tracklist 01. Improvisation 4 / 02. Improvisation 5 / 03. Improvisation 6 / 04. Improvisation 7 / 05. Where Is The Police? / 06. Christiani Eddy / 07. The Squirrel And The Ricketty-Racketty Bridge / 08. Improvisation 3 / 09. Improvisation 8 / 10. Improvisation 9 / 11. Improvisation 10 / 12. Improvisation 11 / 13. Improvisation 12 / 14. Improvisation: York, 24.2.1972

￥3758－

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